A large horizontally oriented oil painting in which geometric oranges in the underpainting hold their warmth beneath layers of greenish grey — the cold light of a winter's day pressing down on swollen water. The work is part of an ongoing series observing the way light hits water in different locations, each piece attentive to the particular colour, pattern, and quality of a specific place. This painting is rooted in the River Windrush at Minster Lovell, Oxfordshire — the ruins, the grey sky, the river running high and heavy after rain.
Oil on Canvas, 150×200cm
A large horizontally oriented oil painting in which geometric oranges in the underpainting hold their warmth beneath layers of greenish grey — the cold light of a winter's day pressing down on swollen water. The work is part of an ongoing series observing the way light hits water in different locations, each piece attentive to the particular colour, pattern, and quality of a specific place. This painting is rooted in the River Windrush at Minster Lovell, Oxfordshire — the ruins, the grey sky, the river running high and heavy after rain.
Oil on Canvas, 150×200cm
