A horizontally oriented oil painting in which geometric oranges in the underpainting push through layers of blue and pale yellow — the structure of light made visible beneath the surface of water. The work is part of an ongoing series observing the way light hits water in different locations, each piece attentive to the particular colour, pattern, and quality of a specific place. This painting is rooted in the lake at Blenheim Palace, Oxfordshire — its shifting blues, the warmth caught underneath.
Oil on Canvas, 140×100cm
A horizontally oriented oil painting in which geometric oranges in the underpainting push through layers of blue and pale yellow — the structure of light made visible beneath the surface of water. The work is part of an ongoing series observing the way light hits water in different locations, each piece attentive to the particular colour, pattern, and quality of a specific place. This painting is rooted in the lake at Blenheim Palace, Oxfordshire — its shifting blues, the warmth caught underneath.
Oil on Canvas, 140×100cm
